The Iliad, by Homer - 855 Words

In Homers epic Iliad, the poet emphasizes the control of the gods in the war he describes. He creates literary devices around these well-known deities to illustrate their role in the action, conveying to his audience that this war was not just a petty conflict between two men over a woman, but a turbulent, fiery altercation amongst the gods. To an audience which had likely lost their fathers, brothers, or husbands to the Trojan War, it would be a welcome relief to hear that the whole affair was orchestrated by the gods, and that the deaths of their loved ones were inevitable and honorable. Part of trying to understand such a tragic war is justifying how rational human beings could behave so savagely. The poet does not want to say that†¦show more content†¦Likewise, the affair that started the whole war is explained away by divine intrusion, for the sake of the listeners. No audience wants to imagine an epic, ten-year war fought solely for the sake of one woman’s infidelity, and no family wants to think of their men dying for the sake of one man’s pride. Rather than tell the story from that perspective, the poet looks at the situation through a supernatural lens, taking the responsibility off the shoulders of the human beings involved and placing it on those of a meddling deity. Rather than claiming that Helen ran away with Alexandros purely of her own volition, the poet implies that she is being swayed by lust forced on her by Aphrodite. When the goddess of love—and sexuality—commands Helen to go to her husband, she resists, calling it â€Å"shameful† (3.410), and refuses to go. She obeys in the end, however, only after Aphrodite threatens her. It is even implied that Alexandros is being manipulated himself by the attractiveness that Aphrodite bestowed on Helen, when, coming straight from a painful confrontation on the battlefield, he finds that he has â€Å"passion enmeshed in [his] senses† (3.442), as never before. The audience, picking up on this incongruity, would be moved for these helpless lovers, under the control not of their own lusts, but the will of a fickle goddess. Whereas in other stories, Helen might be portrayed as an unfaithful villain, Homer paints her as a victim of the cruelShow MoreRelatedThe Iliad By Homer1654 Words   |  7 Pages The Iliad is a collection of poems by Homer describing the 10-year siege on Troy by Greeks in what is now famously referred to as the Trojan War. Several Greek and Trojan characters are worth a special mention in these Homeric poems because of th e roles they played in the battles before the war was won, how they conducted themselves to help eventually win the war for their side. This paper specifically investigates the writings in the Homeric poems to look are important in the overall text. TheRead MoreThe Iliad By Homer892 Words   |  4 Pages The Iliad by Homer depicts the great struggle by Agamemnon and the Greeks to take the mighty city state of Troy and return Helen to her rightful husband, Menelaus. While many ponder if the war actually happened, or why the gods always seemed to be more human than humans themselves, few ask the key but often overlooked question; why is Agamemnon the leader of the Greeks in the first place? What happened that put him in charge of the Greek forces? Why does there seem to be an underlying resentmentRead MoreThe Iliad, by Homer980 Words   |  4 Pages The Iliad written by Homer in the days of Ancient Greece has become one of the most epic poems of all time. It is a poem that has been debated for centuries. Within the tale of Achilles and the wrath of war lies a magnificent object that is shortly mentioned in Book 18. The brief section in Book XVIII, lines 505-660, described the shield that Achilles would carry into battle. How ever, it also tells us something about the nature of Achilles and his heroic image full of rage and anger. In orderRead MoreThe Iliad By Homer2007 Words   |  9 PagesThe Iliad is a collection of poems written by Homer describing the 10-year siege of the city of Troy by Greeks in what is now famously known as the Trojan War. Several characters stand out in the series of poems because of the roles they played in the war, how they behaved and the acts they took to help eventually win the war for the Greeks (then known as Akhaians). This paper specifically investigates the writings in Books two, four, thirteen, sixteen and seventeen and why the events in these booksRead MoreThe Iliad by Homer1383 Words   |  6 Pageswas, in fact, useful. Aristotle agreed with Plato that literature induces undesirable emotions, but he stated that it only does so in an attempt to purge us of these harmful sentiments, a process which he termed â€Å"catharsis†. The events in Homer’s I liad, while used by both Plato and Aristotle to defend their theories about literature, lend themselves to the defense of Aristotle’s ideas more so than Plato’s. Specifically, the juxtaposition of Achilleus’s intense lamentation with the portrayal of Hephaistos’sRead MoreThe Iliad By Homer2191 Words   |  9 PagesThe Iliad By Homer was created in the late 5th-early 6th century A.D. This Epic was a best seller, but the publishing date and publisher is unknown, due to the story being so old. The Iliad is around 576 pages long. Some facts that have to do with the Iliad that are not well knows include the name Homer resembling the greek word for â€Å"hostage.† Also, taking place after the events of the Iliad, Aeneas supposedly survives the war and goes on to become the founder of roman culture. Going on to a differentRead MoreIliad by Homer1216 Words   |  5 Pagesin Homer’s Iliad, to be a hero is to be â€Å"publicly recognized for ones valour on the battlefield† and to have a prize with it (Sale). In other words, a hero is someone who fights for his own fame and glory. However, the modern perception of a hero is quite different. A hero is someone who do not endeavor to become a hero, but someone who act in admirable ways, often for the better of everyone else. The modern concept of heroism is what defines a true hero. Achilles is a hero in the Iliad, because ofRead MoreThe Iliad Of The Homer s Iliad Essay1475 Words   |  6 PagesThe Iliad ranks as one of the most important and most influential works in terms of world literatures since its establishment. Between the underlying standard to which the Iliad offers us as audience members, along with the plethora of writers that have followed in the footsteps to which Homer’s Iliad paved, the impact that the Iliad has played is remarkable in itself. While the Iliad can be credited for much of present day literature we study today, Hollywood can be created for the plethora ofRead More The Iliad of Homer Essay711 Words   |  3 Pages When analyzing the Greek work the Iliad, Homer procures an idealistic hero with an internal conflict, which questions the values of his society and the Greek Heroic Code. The Greek Heroic Code includes respect, honor, and requirements to procure an exorbitant image. To be considered a Greek hero you must meet the perquisites and fulfill all of the aspects of the code. Achilleus was deemed a hero, he was the strongest and swiftest of the Achieans. Achilleus lived up to all of these aspects untilRead MoreThe Iliad, By Homer1141 Words   |  5 PagesThe Iliad, along with the Odyssey, is one of two epics handed down through the Homeric tradition in the Greek Dark Ages, considered by many to be the Heroic Age. However, the key issue lies with the fact that ancient Greeks define a ‘hero’ very differently from what we would consider a ‘hero’ to be today. In ancient Greece, a hero is any human descended from the gods and bequeathed with superhuman abilities. By thi s definition, Achilles is immediately classified as a hero, no matter his actions.

Baroque Part One Free Essays

The Baroque Era is a period that existed in European art in the latter 16th, 17th Century, as well as the first half of the 18th Century. Baroque refers primarily to the free style of architecture that formed a restrained and balanced style of the earlier Renaissance. It was later applied to the same tendencies in music, painting sculpture, and literature. We will write a custom essay sample on Baroque Part One or any similar topic only for you Order Now The Baroque style stems from the dramatic, large, ornate. It is full of motifs and forms expressions of energy and conflict. It originated in Italy and Spain and spread throughout Europe and is identified in architecture, with Catholic Europe and was  the official style of the COUNTERREFORMATION. Of all the many subjects which arose during the Baroque Period, the landscape genre is the most decisive marking a change in Western thinking. In Annibale Carracci (1560-1609) a pupil of Lodovico, Carracci was a versatile painter with unusual skill. He spent seven years studying the works of the masters. He particularly studied the works of Carreggio and Parmigiano in Venice and Parma. He aided in the conducting of the academy school until 1595, when he went to Rome to assist in the Farnese gallery. The ceiling, in which he made dozen drawings for, was rich in illusionistic elements. It included fake architectural and sculptural forms that inspired many of the later painters. Among his numerous well-known works include Flight into Egypt (Doria Gall. Rome) This archetypical classical landscape, was later worshiped with various versions by Domenichino, Poussin, and Claude. The Holy family stands out because they are placed in the middle of the painting, the small measure of the figures in relation to the large natural setting first establishes a new precedence in which landscape takes is first and history is second. Order#11112799 Baroque Era Pg. 2 Carriacci brings to life an ideal nature in the painting to which its theme tells of the nature enriched and completed by man and the works of man. And yet one assume with this underlying theme an authentic Baroque one; Carriacci implication acknowledges man is no longer the unassailable center of creation and that other forces of the world have more of a claim to his attention. The figure and the story of the painting are inconsequential to the landscape. Joseph, in the painting has dreamed that king Herod is searching for the baby Jesus to kill him, and runs away to Egypt with Mary and the child to stay there until after Herod’s death. However, the landscape is hardly Egypt instead, Carriacci has changed the story to a high-civilized Italian setting. This is the peaceful, simple life. A middle ground that is between civilization and wilderness where people live free of both the decadence and crime of city life and the uncontrollable forces of nature. Annibale Carracci’s Landscape with flight into Egypt is Considered his masterpiece. I like the rich colors in the landscape, on The lush trees and grass that surrounds Mary, Joseph, the baby Jesus and the horse standing in the center of the painting. It is familiar and pleasing sense of Italian landscape painting. 3Claude Lorrain, has a place in art history as a pioneer in landscape painting. He like Carracci, was widely respected and imitated for two centuries and often produces in the popular feeling of de’ja’- vu, especially in his best-known paintings. Lorrain’s power of invention was limited. He concentrated on a very narrow range of tones inside a narrow range of tone of colors inside a narrow landscape. Lorrain did not develop much further deliberately, after he had Order#11112799 Baroque Era Pg. 3 perfected his technique, because his work was too eagerly wanted by powerful supporters. His most idyllic of all his landscape paintings where he casts the world and its people, though small in a poetic light. In his A Pastoral Landscape he works in an atmospheric point of view to soften all sense of tension and resistance to bring us to a world of harmony and peace. In A Pastoral Landscape, as well as many like it represents the best civilization has to offer and has melded with the best of a good and gentle nature. Landscape paintings played on the concept that because God created the Earth, one could sense its soul and majesty in his work, similar to one who is able to sense emotion in a painter’s movement on the canvas. The majesty of God’s vision symbolically suggests in a panoramic sweep of the longer view to give up two thirds of the canvas to the infinite depth of the heavens. A Pastoral Landscape like many of Claude Lorrain’s include large leafy trees, a three arched bride over and large tree branch. The figures in the center of the painting also appear in the right foreground of Lorrain’s River Landscape. The countryside around Rome is the source of most of his inspiration. The Roman Campagna is a countryside haunted by the remains appear in the foreground of Lorrain’s River Landscape. The countryside around Rome is the source of most of his inspiration. The Roman Campagna is a countryside haunted by the remains and the association of antiques. The key period of its development were artists of many nationalities coming together in Rome. They formed and traveled to other countries. Claude Lorrain’s poetic contribution of rendering light is very influential, not only in his lifetime but also in England from the mid-18th to Order#11112799 Baroque Era Pg. 4 mid 19th Centuries. 4 Jacob Van Ruisdael is another Landscape artist who is considered the greatest Dutch landscape painter. It is not determined whether he worked as a pupil for his father; a frame maker and artist Issak de Goyer, a well-known Haarlem landscapist. Jacob Van Ruisdael is the most celebrated of the Dutch painter. He first worked in Haarlem and moved to Amsterdam in 1656. He obtained a medical degree, late in life and practiced as a physician in Amsterdam. Ruisdael’s work consists of northern nature in a somber mood. The many characteristics to his paintings are overcast skies that throw a restless flux of light over the countryside. Gnarled, knotted oak and beech trees are created with authentic accuracy. Ruisdael later work show great depth of stroke, which dramatize humanity’s insignificance amid the splendor of nature. His later important paintings include Jewish Cemetery (Detroit, Inst. Of Art) and Wheatfield’s (Metropolitan Mus. ) He produced some very Etchings Ruisdael inspired many of the great French and English landscapists in the next two Centuries. One of the pupils he inspired was Meindert Hobbema who was an outstanding painter in his own right. In his painting View of Haarlem from the dunes at overveenc (1670) it is not so much landscape than sky and the light that comes from it, alternately casting the Earth in shadow and light, knowledge and ignorance. Rising to importantly meet the light on the largest building in the landscape, the church. The beam of light in Caravaggio’s painting suggests a spiritual presence of Christ becomes in landscape, a beam of light from the Sun/Son,† Popular among English poets of that period. The last half Order#11112799 Baroque Era Pg. 5 of the Seventeenth Century found the real space of the Dutch landscape became so idealized that it is almost like Eden. An example of landscape offers viewers an important lesson in the direction of where art took from the late seventeenth Century down to present day. The spiritual is not found only in the church. It is found in nature light in form even as we move into the modern future in the artist’s very self. The end of the seventeenth Century found the church no longer the major support of art as it had been for centuries from Spanish kings, to wealthy Dutch merchants, to a growing huge group of Middle-class rich with disposable incomes wanting to increase and refine their tastes. The patrons of art changed until the middle of the twentieth Century when art was bought and sold in an international â€Å"art market. † These brilliant Baroque landscapes painters were concerned with naturalism and space. The Dutch panoramic view, with its large, far-reaching expanse prospect offer a familiar example of spatial illusions in landscape paintings. However, the continuity of space often suggests by other means, such as the implication presented presented to viewers is only part of an endless larger total. Viewers should not overlook, in this connection this effect on art and artists to expand the world of the seventeenth Century. The taste of the exotic, in particular is understood as a mirror to geographical discoveries of the age of exploration, which served to wake up new interests in distant lands and people. And yet, Baroque landscape art though without a doubt open to picturesque motifs from non-European sources, was marked by intellectual depth affected by the spirit of exoticism. These Painters also might include authentic details of costumes and settings in their paintings, all except Baroque landscape Order#11112799 Baroque Era Pg. 6 painters whose view was essentially unchanged. The element of virtue in the Baroque architect manipulations space should not allow to be not well known a more important fact, which is the first rule of coexistence space, applies to seventeenth Century architect to a painting and sculpture. The principal many also be seen in brilliant form in church facades by Pietro de Cortona, Bernini and Borrommini, where the outside landscapes and inside space is marked. It is this similar controlled movement of space that gives to the large insides of the Baroque period its unmistakable character. The idea of continued space is the basis to the art of the paintings designs, that looks to collect the point of view of real space of the auditorium. The implication of movement is characteristic of many works of painting and sculpture of the seventeenth Century may come forth the sense of time as well as of space. The passing look, the momentary gesture of the changing aspects of nature tell of passing, inconstant undecided and times in swift flight. The constant cycle of day and night and the continuation of the seasons offered artists another way of handling the landscape with the infinity of time. -Reference Site- 1. Questia Online Encyclopedia- Baroque book by John Rupert Martin; Unknown, 1977. Annibale Carracci pgs 16,17,27,86,175,250. 3Clause Lorrain, 217,224. Pastoral Landscape, 335. 4Jacob Van Ruisdael view of Haarlem from the dunes at overweenc, 1670. Pg. 177 2. Benet’s Reader’s Encyclopedia Fourth Edition. Edited by Bruce Murphy. 1 The Baroque Period. Lorrain, Claude (Originally Claude Gelle’e, 1600-1682) pg. 614, Ruisdael, Jacob van (c 1629-1682) pg. 896. How to cite Baroque Part One, Papers

The American Dream Boat Essay Sample free essay sample

The twelvemonth 1979 was a really important twelvemonth for several Vietnamese households who decided to fly from the Communist regulation an their state even though it meant put on the lining their lives in the sea. merely to be able to make for a better life in the United States. Sta. Ana California became a place to the said refugees. The storyteller in the narrativeThe American Dream Boatrelated how the said community survived the challenges of life in a foreign land and subsequently on seting to the civilization and traditions of the society that they chose to populate. In the said narrative. it has been noted how refugees from Vietnam really survived societal subjugation towards their credence and soaking up in the American community. Probably. although most of them already adjusted to the life in America. many households still choose to learn Vietnamese civilization to the immature 1s to be able to assist them develop an individuality that is still strongly Vietnam in nature. We will write a custom essay sample on The American Dream Boat Essay Sample or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Probably. the said attack in seting to the society that they are populating in at nowadays still helps them continue the being that they are. This still reminds them that even though they are in America. they are still Vietnamese by bosom. Most refugees want to be a full sworn American [ like the storyteller in the narrative ] . However. although they want the said position to be their individuality in America. they still want to be known as Vietnamese persons who have transferred to better countries of the wold. True. because of planetary connexions that is considered the tendency of the present epoch. people reassigning from a state towards another is already a common norm. However. although this is true. it could non be denied that the differences of civilization still flourish around the Earth. This is an indicant that many. Like the Vietnamese refugees transfer to other countries of the universe to happen their dreams and carry through those dreams. nevertheless. burying their civilization. the background that shapes there personality is non among the elements of life that they are willing to allow travel as they let themselves be absorbed by a new society. Obviously. the writer of the narrative wants to indicate out the importance of cultural standing for those who have immigrated to other lands either as refugees or as workers or even for some other grounds. This peculiar idea raises the demand to be strongly attached to one’s ain civilization to be able to do a typical individuality from the society that immigrants are seeking to set to. Mention: Oahn Ha. The American Dream Boat. `The New World Reader` ( ISBN:978-0-618-79653-3 ) . p. 318-322.